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Aren't some of those first generation cards worth billions of gazillion of dollars?

If you ever do any more covers of public domain works, IMSLP is an excellent source for out-of-copyright scores (including Daisy Bell). You can find scans of first editions, later editions, recent homemade editions, and even some autograph manuscripts.

No site opens here. If you clear your browser's cache, does the site disappear?

If you offer Mr. Hua some free photocopying I'm certain that he'll make sure that a standard voicebank is released alongside the AI version.

The new update definitely sounds cleaner than previous SynthV outings. Although my rendered vocal track still had unwanted clicks that I had to edit out with Audacity. For those wondering, these happen after a certain amount of silence, and occur a few moments before the voice resumes...

I figure that it would be prudent to point out that my suggestion regarding the damper pedal will only work on either a real piano or a piano VST that simulates the sympathetic string resonances that occur when the dampers are lifted (pedal depressed).

That's a marcato marking, and its interpretation depends upon the instrument, performer, genre, etc. In the context of this particular piano transcription, I would treat it as an accent. Or, if you want to be fancy, the moment you play the accented note, try depressing the sustain pedal for a...

Conclusion: Beats me. But something is goofy in SynthV sample-rate land.

The image immediately below is new 96 kHz sample exported natively from SynthV with the internal engine set to 44.1 kHz. It is being viewed in Edison’s EQ editor. What you are looking at: The above represents a single C6 note with some crazy pitch bends created by drawing directly into Synth...

The image below is Sample E as viewed in Edison’s EQ editor. I’m using the EQ function not because I want to EQ the waveform, but because I can use it to change the frequency-plotting scale. However, it rotates the waveform ninety-degrees clockwise. What you are looking at: The above...

Below is an animated GIF that swaps between two spectrograms of two different 24-bit samples. It was created using Edison and GIMP. Sample E: SynthV internal engine set to 44.1 kHz. 96 kHz native export. Sample F: SynthV internal engine set to 96 kHz. 96 kHz native export. Audacity was not...

Below is an animated GIF that swaps between two spectrograms of two different 24-bit samples. It was created using Edison and GIMP. Sample C: SynthV internal engine set to 96 kHz. 44.1 kHz native export. Sample D: SynthV internal engine set to 96 kHz. 96 kHz export Downsampled to 44.1 kHz in...

Below is an animated GIF that swaps between two spectrograms of two different 24-bit samples. It was created using Edison and GIMP. Sample A: SynthV internal engine set to 44.1 kHz 44.1 kHz native export. Sample B: SynthV internal engine set to 44.1 kHz. 96 kHz export. Downsampled to 44.1...

Background: I normally export from SynthV using a 24-bit sample depth and a 44.1 kHz sample rate. There are two reasons for this. First, it’s good practice to work with 24-bit source files, even when the final mix will be 16-bit. Second, I’m interested in uploading to YouTube, which uses a 44.1...

Here’s my latest collaboration, and my first to use Saki AI: As per usual, りくりくり created the (rather lengthy) lyrics. Importantly, they were written first, and I had to add music to what was provided. This proved challenging because there is a near total absence of a regular syllabic meter...

That's a courtesy accidental. It's there to gently remind the performer to return the C♯ back to C♮. Purely optional and done solely at the discretion of the transcriber/composer/copyist.

Plugin Alliance is giving away their Ampeg SVT-VR Classic plugin for free until February 19th. Use the code AMPEG-FOR-FREE to get it from their website. If you're unfamiliar with the Ampeg SVT and it's various incarnations, it's probably the most-used bass amplifier of all time. If you look at...

This is dumb, but I love it:

Oh.

Well, Saki AI does seem to work. Did you just use the parameters as set by the AI? Or did you do some manual tweaking?