I'm considering making an UTAU and releasing it, but I want to know if people would actually want this voice. Theres a lot of bugs and stuff in the sample, but Ill likely rerecord it.
[track deleted]
The current sample is a dipitch with the second being F4, and the full (if i ever make it) will either be a mono or a tri. I also plan to do the thing when recording where Ill take in a small, tiny breath right before saying the line so the [- X] notes have a breath before they start. It'll also probably have l, v, and ng strings as well depending on if i have the will to record them or not. (I also had some screw ups with the end breaths where its more, hard, than an actual breath, so i might either keep them as separate files or get rid of them altogether)
Any tips? thoughts? suggestions? I'd also like to know if this would be a good utau to release, or at least if it doesn't sound like every other utau out there
(Also, any descriptions / guesses on the gender, age, etc of the voice would be nice so I can design a character that fits the voice as well as know how much flexibility there is)
[track deleted]
The current sample is a dipitch with the second being F4, and the full (if i ever make it) will either be a mono or a tri. I also plan to do the thing when recording where Ill take in a small, tiny breath right before saying the line so the [- X] notes have a breath before they start. It'll also probably have l, v, and ng strings as well depending on if i have the will to record them or not. (I also had some screw ups with the end breaths where its more, hard, than an actual breath, so i might either keep them as separate files or get rid of them altogether)
Any tips? thoughts? suggestions? I'd also like to know if this would be a good utau to release, or at least if it doesn't sound like every other utau out there
(Also, any descriptions / guesses on the gender, age, etc of the voice would be nice so I can design a character that fits the voice as well as know how much flexibility there is)
Last edited: