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General Discussion Thread

lIlI

Staff member
Administrator
Apr 6, 2018
1,183
Kanru's walls
For those that enjoy seeing traditional music journalism's coverage of the vocal synth community, Billboard's year end article is always an interesting read. Mio Komachi's work shows an insider's understanding of the medium.

My one criticism is how the author downplays controversies involving the musicians. For example, criticism regarding Kaai Yuki being used in sexually provocative songs did not stem from her being 'characterised as a nine year old', but from being voiced by one. 'Characterised' implies fiction, and obfuscates the involvement of a real child. This is deliberately misleading - bias typical of an outlet closely tied to the promotion of artists.

On the other hand, their analysis of trends in Vocaloid is very observant and well-put:
And with platforms consolidating around YouTube and TikTok, global connections have naturally become part of the landscape. Amala’s “DaiDaiDaiDaiDaikirai” (No. 7), conceived as a successor to “Mesmerizer” and again featuring Hatsune Miku and Kasane Teto, also highlights how the pair are often portrayed as opposites, a depiction that may stem from their differing origins as a Vocaloid and an UTAU-born voicebank. The internet memes and the layers of sentiment that have accumulated around these virtual singer characters can themselves function as a force that broadens the expressive range available to them.
Even if you're deep enough in the fandom that these articles won't reveal anything new, I consider them worth a read!
 

Bookworm2

Your friendly neighborhood Vocaloid nerd
I don't know if this has been posted already, but I may as well share it. The Miku Expo 2026 song contest winner has been posted! The winner is "Room for a Fantasy" by nostraightanswer. Interestingly, this was the first year where all the Cryptonloids were accepted into the pool of songs, yet Miku won regardless. As well, this is in English! It's not the best English, I could barely understand anything my first listen without lyrics, but it's still English! Out of the runner-ups, only 2 of them were not using Miku: “FEEDBACK” feat. Megurine Luka by isidore. & MonochroMenace and BAD@ENGLISH (STUDY JELLY) feat. Kagamine Rin by Ani Meida.

Official Site: HATSUNE MIKU EXPO 2026 Song Contest
 

MagicalMiku

♡Miku♡
Apr 13, 2018
2,829
Sapporo
hehe yes, there is the Miku Expo 2026 thread about it: :gumi_lili:
https://vocaverse.network/threads/miku-expo-2026.10222/post-61083
but don't worry:meiko_lili: I like that you wrote your impressions also here!:sonika_lili:
I'd like to add one thing about the contest: the rule about accepting all Piapro characters has been in the Magical Mirai contest in the last few years as well, in fact Magical Mirai 2024 winner song, "Superhero", was featured by Len!:len_smile_lili:
 

Bookworm2

Your friendly neighborhood Vocaloid nerd
hehe yes, there is the Miku Expo 2026 thread about it: :gumi_lili:
https://vocaverse.network/threads/miku-expo-2026.10222/post-61083
but don't worry:meiko_lili: I like that you wrote your impressions also here!:sonika_lili:
I'd like to add one thing about the contest: the rule about accepting all Piapro characters has been in the Magical Mirai contest in the last few years as well, in fact Magical Mirai 2024 winner song, "Superhero", was featured by Len!:len_smile_lili:
Oh, sorry! I didn't see that. I meant that it's the first year that Miku Expo allowed non-Miku Vocaloids.
 

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