I've seen some people in the Japanese community who are a bit overwhelmed by all the KAFU pushing her label(agency?) is doing.
Main complaints I've seen:
They don't like her voice but can't seem to escape her on SNS and also with all the Ps using her voice now.
(A few of the popular KAFU songs (like 4 that I know of? Syudou was one) do seem to be commissioned.)
Her voice bank doesn't utilize the strengths of CeVio, yet she's clearly being advertised the most.
Thoughts?
For me regarding just KAFU, I think some people are just having trouble adjusting to the new venture that is having someone so currently established in the synthesized voice community become one themselves. It also probably doesn't help that it's causing an overlap between Nicodou people and YouTube people, as KAF is quite popular on YouTube.
BUT
Main complaints I've seen:
They don't like her voice but can't seem to escape her on SNS and also with all the Ps using her voice now.
(A few of the popular KAFU songs (like 4 that I know of? Syudou was one) do seem to be commissioned.)
Her voice bank doesn't utilize the strengths of CeVio, yet she's clearly being advertised the most.
Thoughts?
For me regarding just KAFU, I think some people are just having trouble adjusting to the new venture that is having someone so currently established in the synthesized voice community become one themselves. It also probably doesn't help that it's causing an overlap between Nicodou people and YouTube people, as KAF is quite popular on YouTube.
BUT
I've been starting to find KAF herself a bit off putting, and I say that as a fan. She's started doing lots of fancy expensive collabs and uploading every week, which normally I'd just respect the hustle. But maybe because her characteristic has always been "just another Japanese girl" (literally says so on her label's website), maybe because the girl behind her started really young, I can't shake the feeling her label's squeezing all the money out of her while she's popular.