Being someone whose favorite 'loid is Oliver is suffering.
It's already been mentioned that it's likely commercial Vsynths were not interested before, and I'd say with this public scandal that's unlikely for the future.we could have audine synthv 2 redux deluxe before maghni ai
This is the kicker for me tbh, and it makes the whole situation fishy. If your coder is withholding deliverables, why are you not withholding payment? I could understand maybe a month or two, giving someone grace and all, but multiple YEARS? And only Natalia could contact him?Oh my god. Four years of development with no work uploaded. Might need to add some sort of content warning for any producers reading this. and they just kept sending him money. top 10 vocal synth companies you wouldn't want to negotiate a hostage situation.
I fear what will result from a Discord server presence. Yeah it would be easier to update people on the project....but I can foresee the drama that could arise from it already.Yes, there will be a Discord server.
Because the AI voice synth engine was taken hostage by Barham since the beginning, apparently. So Crescendia needs to develop an entirely new proprietary vocal synth engine from the scratch, perhaps few months later after Barham confirmed MIA since last contact in July 2025.Also why is the current engine iteration less than a year old? Why would they scrap what they used for the Rvby tease?
Oh my god. Four years of development with no work uploaded. Might need to add some sort of content warning for any producers reading this. and they just kept sending him money. top 10 vocal synth companies you wouldn't want to negotiate a hostage situation.
Out of everything wrong with Maghni's development, Barham's behaviour and code withholding is what baffles me the most. Any reputable company would have some kind of employment contract clause where they would either withhold wages for no work, or just fire them completely, but this doesn't seem to have been the case between VocaTone, Mishbah and Crescendia? You can't run a dev team on just grace and good vibes.This is the kicker for me tbh, and it makes the whole situation fishy. If your coder is withholding deliverables, why are you not withholding payment? I could understand maybe a month or two, giving someone grace and all, but multiple YEARS? And only Natalia could contact him?
Something else must have been going on there, because I can't imagine this level of poor decision making. I can't imagine that someone with access to the amount of money that was used to fund the project making these kinds of decisions. There's mismanagement and then there's utter stupidity, and I really don't think the people involved are that unaware.
Barham should have been removed from the project when it became apparent there were no deliverables, you can't make a commercial project already on an unrealistic budget while throwing money away.
No matter the circumstances now, the 'Right Where You Are' demo is now being tagged as misleading at best and a fraud at worst (think of how 'I=Fantasy' damaged SeeU's reputation in the long run). I've never been a huge Oliver fan, but I did like that demo when it came out, to the point where I saved it in my YT playlist for vocal synth songs. But learning about the SynthV/RVC allegations has put a nasty taste in my mouth, because some of it at minimum wasn't actually processed by the Maghni software at all.They reject the claims that output from Synthesizer V was used in Maghni's engine demonstrations. [Note: This is disputed by Suzie, who says she fed Synthesizer V output into RVC to create the spliced samples for Oliver's 'Right Where You Are' demo.]
They confirm RVC was used for Oliver's demo in both his consonants and high notes. [High notes too? Interestingly, the RVC admittance seems to expand slightly with each statement.] The audio is described as 60-80% Maghni. They state that no other demonstration was edited in this way.