I don't personally condone piracy but I think it think it's currently on the rise. When copies of v4 editor are going for 589$ and v2 unsupported in v5 and v5 editor being 250$. I can see someone asking is this even worth it for just for covers. The software is getting more and more into professional software pricing and being unsupported. A lot of people are also asking is worth it when other vocal synths are getting new voices. Miku and Yukari and flower and are migrating to different programs it gives a sense of who's next.
The topic of synths that are no longer available or being produced is a lot different than the point I was making. It's a very solid point and it's hard to see it as "unjust" when there just isn't any other option for getting those synths or software. However, as I said in my original post, companies like SynthV release lite versions of some of their vocal synths for free. There are plenty of free avenues for getting access to vocal synths and getting a foot in the industry (Utau included) that don't require you to pirate Miku.
I am a bit late to the Miku and politics topic, but yes, it does go against the ToS, which you have to agree to before using the voicebank. Most, if not all, voicebanks/vocal synths have a no politics, discrimination, hate-speech, etc, policy to avoid controversy. I am surprised Crypton has not told the western community or spoken about it more, but maybe they are not sure they can monitor an entire community, especially one that politicizes Miku often?
I have to imagine that it's much harder for Crypton to handle the Western fanbase without diving headfirst into things like DMCA claims and whatnot. From my observations, it feels like, at least on Twitter, they take a more hands-off approach to working with the fanbase. They make a lot of hashtags and retweet things, but it doesn't feel like they take too much action when Westerners violate TOS.
I've said elsewhere on VV how irritating the 14-year old fans are to this 20-something who's been into Vocaloid since she was 11 or 12. I'm super glad I'm not on Twitter now, I'd be telling off so many kids on there lol.
Twitter encourages the worst kind of behavior out of everyone and amplifies all of the most toxic parts of a community to become so overburdened that you just want them gone forever. Unfortunately, the younger side of the fanbase on Twitter is made up of a lot of kids that behave terribly and act in the most inappropriate ways with zero foresight on how it impacts both them and the community they are in.
I definitely think the piracy issue is gonna get worse over the next few years as V2 inevitably loses ongoing support, more vocal synths move away from Vocaloid, more unpopular banks get delisted from sale, etc. Unfortunately, I'm not sure what, if any solutions there are to these problems - it's not like with games, where they can be easily emulated on a computer and for the most part, people won't chastise you for using emulation. People who are discovered to be using pirated Vocaloids are rightly jumped on for using cracked versions, but what about pirated VBs that have been discontinued and can't easily be bought anymore?
I think it can also be attributed to younger people coming into the fanbase with a lack of understanding of how some companies will just straight up sack a VB if piracy is too high compared to sales. Internet Co. has said that they take piracy into account when they consider continuing to update voicebanks (not an exact quote.)
While not a solution, I think it is good to help inform people about free options and try to encourage people to support the industry. Especially the people who are big enough that they can be seen as a negative influence in regards to pirating (I can think of a couple of cover artists who are really bad when it comes to piracy and how open they are to encouraging it or sharing that info)
Hobby or not, producers with anywhere near 25k subs and a fully monetized YouTube channel that also makes money through places like Spotify shouldn't be pirating or encouraging it to their young fanbase.
As I've said earlier, it's much harder to argue against that last idea. If a synth or program can no longer be bought or acquired through other means, and the company itself isn't trying to promote it, it can be hard to say "Hey, don't pirate this software that you can't possibly get access to any other way"
On the cancelling wowaka topic (spoilering because it's not really on topic, but I want to explain what actually happened bc... it's a whole bunch of misunderstandings):
That's definitely a different story than I was told. Thank you for clarifying the situation.