I should really probably just leave the lawsuit idea in the dirt where it belongs.On the other hand, I do think the complaining is getting a bit hyperbolic now. Has anyone else seen the threats to start a class action lawsuit against the organisers?
I recommend Etymotic Research's concert earplugs. I've used them at a few concerts (including a taiko group) and they work well. Cuts the level without creating a muffled sound. The reduction is very noticeable, and advertised as 20db.
They likely did. They would have placed an order for the total number of light sticks weeks before they first went on sale, and manufacturing would have been partially or fully completed, with no time for another order to be made. (Manufacturing takes time, and suppliers typically have windows of availability.) The "restock" online a few days later was them pulling from the pool that would be sold at concerts; there was never going to be an increase in the total number by that point in time, because their supplier most likely moved on to making other customers' scheduled orders. Relatively small batch products like that are heavily susceptible to long turnarounds on orders.
I use Etymotic in-ear monitors, which use the same eartips, and they're actually pretty comfortable.
That is not the responsibility of the fans. It should have been thought of in advance by the tour organisers. And if it really was a last minute unforeseen event, then they should have reported it in some form.
As it is already?
Pricing varies wildly by location and when the ticket was purchased, due to the nature of ticket brokers and the exclusivity deals venues have with them. I paid $99/ticket for Denver, while others paid hundreds in other cities. We've also had over 20% inflation since 2018 ($99 now is about $80 in 2018 money, based on ~23% inflation).
That was basically what I was saying. The way people respond to a situation should be realistic, proportional, and suitable for the context.
I agree, I was at the 1st San Jose show and the visuals were a huge improvement compared to other shows. I was in the standing area so I saw the screen directly and it looked really good. Definitely an experience I will remember. As for the glowsticks, I did see some still for sale at 4:00 but I'm assuming they were down to the last few. I did also see some people bring unofficial glowsticks which some say can affect the projection but since this was an LED display, I'm not sure if it did anything to it. I believe that with each new concert, they keep on getting better and better.
Ohhh, the coloured border around the screen makes the setup look so much better! I'm still annoyed at the lack of transparency from the organisers (there's STILL no statement after how many days?), but it's good to see they're improving the new setup while touring.
Excuse my ignorance, you're affiliated with SEGA? Excuse me, it might not be appropiate to ask in this thread.
On that note, is it possible to change the set and lights to accomodate the screen for the rest of tour or is it too late to do that?
hehe don't worry ^-^ well, thanks to my job in the gaming industry i do know some people on a personal level as friends from various companies, in this case i have some good friends from Sega and Marza Animation Planet from over 10 years and we love to talk about anything related to Miku ^-^
the only times i've seen Miku actually introduce the band members was during Mikunopolis, and Mirai 2013/2014. every other time i've seen Miku, it's just their names on the screen followed by little riffs/solos. in answer to your question though, for Miku Expo 2024, it's just their names displayed on the screen like usual.
