Cryptonloid voicebank updates, collabs, & concert news (crypton_wat Twitter translations)

Pewe

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Dec 7, 2019
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  • While Twindrill and Crypton are on good terms and an experiment to see Teto's performance on the new engine isn't out of the question, I think the bigger question of whether Crypton will want to take her in is, ironically, more related to bureaucracy. In the end, Twindrill most likely wants to retain full rights and responsibility for Teto, and Crypton most likely doesn't want to be saddled with the extra responsibility of taking care of her, along with both of them probably wanting to set clear boundaries that she's not actually a Piapro Character. So I feel it's unlikely she'll end up a full-on product on it, and even if they do, I expect they'll be taking significant measures to keep them separated in a branding sense. (As a fun point, though, in the Teto 10th Anniversary livestream where they discussed sending Teto's samples to Crypton, they confirmed it was just something they did For Science, but also said that it would be funny if she could somehow turn into some kind of Vocaloid/UTAU hybrid -- then she'd be a "real chimera".)
Wellp, I don’t think there would be too much problem when it comes to the actual voicebank (if they indeed decide to make it a paid one of course), since Crypton could act as YAMAHA and give Twindrill the pass needed to develop a Piapro voicebank while they get some of the gains (they could also lend some help in development in exchange of a higher commission).

I think the main problems would come with the inevitable increase of marketing and products she’ll get, unless Crypton doesn’t promote her at all. The only thing we know for sure is that, if Twindrill really intends to give Teto a more professional voicebank, Piapro is their best bet.
 

uncreepy

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Apr 9, 2018
853
USA
@Lystrialle You put the argument for supporting Crypton breaking away from Yamaha in a very good, well-thought-out explanation. I feel like most arguments against Crypton seem weak in my humble opinion, such as "But I don't want Vocaloid to die!" or "I don't like how Miku sounds based on one untuned demo!" or "I want a new character!" There are just way too many ways that Crypton (and thus Crypton customers) got the short end of the stick because of Yamaha being stupid/selfish.

I wrote down a bunch of my own arguments to support Crypton, but didn't know when it was a good time to post it, so I think I'll do it now.

My number one argument is that Crypton has always tried to be innovative (even if they sometimes miss the mark). The new Piapro will be unlike anything currently on the market. It will have tuning/notes that Vocaloid/Synth V/UTAU users are familiar with, it will also include deep learning (which seems to be the upcoming standard for vocal synths like upcoming CeVIO and assistants like Amazon Alexa), and it will even include a vocoder (like Voidol). None of Crypton's competition has this many features for such a broad range of customers' demands.

New Piapro will resurrect VocaListener by AIST in the form of Cherry Pie for those who missed out on it.

Yamaha tapped out of the vocal synth market and isn't even going to let the average person even look at VOCALOID AI. Of course Crypton would want to keep selling voice banks on their own terms when the paywall for V5 is so stinking high and the software turned out underwhelming to fans. (They took away features fans liked, stripped the ported V5loids like VY1 and VY2 of their extra voicebanks, made super slow software with a high price tag.) Who would want to be associated with fan betrayal and a dead synth? Doesn't a brand new synth as a new chapter for everyone sound better?

I am SO sick of people acting like Crypton is responsible for Yamaha's business decisions by somehow making sure Vocaloid doesn't die. They are two businesses, not stinking husband and wife. I bet Crypton couldn't care less at this point what Yamaha does after having to work with them and their illogical ways for so long.

Crypton is actively hiring graduates of vocal synth/deep learning/music and science colleges. A lot of them have huge and innovative projects they've been working on, which they present at conventions along side actual businesses like Crypton and Yamaha. Why in the world would Crypton hire these students and then force them to waste their talent and knowledge by doing the same old thing? Complaining that they shouldn't create Miku NT is kind of twisted in my opinion. There are Japanese students on Twitter sharing their files relating to vocal synth and deep learning, figuring out how to make emotive and realistic singing/talking, this is what the current generation is working on, so let the industry grow and change!

Crypton and other vocal synth companies (like 1st Place and Techno-Speech) actually get money from the Japanese government and even their own towns because they know vocal synths/virtual idols are bringing in money to their community and Japan. Why wouldn't Crypton want to be innovative when it comes to promoting their characters and making changes to their software in order to pump out talking collabs for products faster while simultaneously making the workload easier for producers?

As a side note, I seriously doubt Teto will be on new Piapro. UTAU is going to get updated soon. I think if Crypton were to release a new character, we will have to wait until all the current Cryptonloids get their NTs released (and for those who somehow missed it, they ALL are getting updated, please be patient, Miku NT isn't even out yet!).
 

uncreepy

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Apr 9, 2018
853
USA
I was busy this month, so I missed some info.

Tone quality/sound quality/timbre improvement... Tone quality improvement...


See this post for the video. Mitchie-M's song and the whole commercial was extraordinarily good. Every part of it sounded and looked amazing.


I don't think Wat's first tweet was related to the commercial (because Mitchie M was tuning it). It might have been them tweaking the engine sounds or working on the tuned demo that is supposed to come out this month. (Come on, only a week left... 👀)
 
See this post for the video. Mitchie-M's song and the whole commercial was extraordinarily good. Every part of it sounded and looked amazing.
so wait, was this video featuring both Miku and MEIKO's NT voicebanks? for Miku it must have been NT for the talking, but for the singing it still sounded like her VOCALOID voicebank; i think sort of the same situation with MEIKO, but i don't know for sure.
 
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uncreepy

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Apr 9, 2018
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Because Wat literally wrote a vague sentence ("traces of Meiko NT"), we have no way of knowing which parts of the commercial he is referring to. The talking parts from both Miku and Meiko are definitely using their NT voices (because Cherry Pie has been used for every single talking clip from Crypton for the last year or so). As for which voice banks were used for the singing, that's something only Mitchie-M and Wat would know.
 

uncreepy

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Apr 9, 2018
853
USA

Today is Luka's 11th anniversary. First of all, congratulations, Luka-san!

Currently, the new software and even new plans like Project Sekai, are in all kinds of decisive phases, but... if we pull through successfully, I think will be able to contribute to Luka as well from now on. We will persevere.
I don't wanna be a rump, but every time we've had a milestone lately, he ALWAYS mentions Project Sekai and the new software "and other projects". It seems kind of like a broken record "Thank you" announcement.

Also, Wat said back on December 26th that they were aiming to release a tuned demo in January. Part of me thinks they will be late. If they don't do it in January, I feel like Miku NT beta has a really good chance of being late for the March estimated release. If they actually make the deadlines, I will be so surprised. I don't know if they ever are on time. S: I feel they were being too optimistic and have too many setbacks.
 

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